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The Fire Children

ebook
1 of 1 copy available
1 of 1 copy available

Fifteen years have passed since Mother Sun last sent her children to walk the world. When the eclipse comes, the people retreat to the caverns beneath the Kaladim, passing the days in total darkness while the Fire Children explore their world. It's death to even look upon them, the stories say.

Despite the warnings, Yulla gives in to her curiosity and ventures to the surface. There she witnesses the Witch Women—who rumors say worship dead Father Sea, rather than Mother Sun—capturing one of the Children and hauling her away. Yulla isn't the only one who saw the kidnapping; Ember, the last of the Fire Children, reveals himself to Yulla and implores her to help.

Trapped above and hunted by witches and the desert wind, Yulla and Ember must find a way to free his siblings and put a stop to the Witch Women's plans, before they can use the Fire Children to bind Mother Sun herself.

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    • Kirkus

      April 15, 2015
      In a fantasyland desert, one girl's encounter with her gods is both dangerous and romantic. Fifteen-year-old Yulla lives in Kaladim, a low-tech city seemingly ruled by superstition. Whenever the multiday eclipse comes (five or 10 or even 15 years apart) it's the Darktimes. The people of Kaladim retreat to the undercity tunnels, in a darkness untouched by lantern light, leaving offerings above for Mother Sun's children, who walk the city during the Scorching Days. The Fire Children are a part of a mythos involving Mother Sun, her betrayal by Father Sea, and the intervention of Sister Moon-a mythology of Kaladim's priestly class that is, it seems, almost completely accurate. When Yulla sneaks from the tunnels to see the city in the forbidden Scorching Days, she expects to be endangered by the Fire Children-not by a magical conspiracy. Luckily there's a handsome godling available for some mutual rescuing, and he's hot: like, burning. The pantheon's history is flatly literal, and Kaladim's pre-industrial, exotic desert vibe is represented by Arabic and Persian elements thrown together willy-nilly. Still, the complications of dating a boy whose temperature melts sand into glass are well-developed, and the book seems almost quaint (delightfully so) in its use of the past tense. This entry in the stuffed paranormal-romance genre refreshingly lacks passive angst. (Fantasy. 11-14)

      COPYRIGHT(2015) Kirkus Reviews, ALL RIGHTS RESERVED.

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  • English

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