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Goliath

ebook
1 of 1 copy available
1 of 1 copy available
Since the 2011 release of Goliath, Tom Gauld has solidified himself as one of the world's most revered and critically-acclaimed cartoonists working today. From his weekly strips in the Guardian and New Scientist, to his lauded graphic novels You're All Just Jealous of My Jetpack and Mooncop, Gauld's fascination with the intersection between history, literary criticism, and pop culture has become the crux of his work. Now in paperback, with a new cover and smaller size, Goliath is a retelling of the classic myth, this time from Goliath's side of the Valley of Elah. Goliath of Gath isn't much of a fighter. He would pick admin work over patrolling in a heartbeat, to say nothing of his distaste for engaging in combat. Nonetheless, at the behest of the king, he finds himself issuing a twice-daily challenge to the Israelites: "Choose a man. Let him come to me that we may fight." Quiet moments in Goliath's life as an isolated soldier are accentuated by Gauld's trademark drawing style: minimalist scenery, geometric humans, and densely crosshatched detail. Simultaneously tragic and bleakly funny, Goliath displays a sensitive wit and a bold line—a traditional narrative reworked, remade, and revolutionized into a classic tale of Gauld's very own.
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    • Booklist

      Starred review from March 15, 2012
      Sure, everyone loves the biblical underdog, David, but isn't it time someone had a little sympathy for the big guy? In this hilariously understated revisioning, Gauld turns the brute into a hapless lug doomed by his own meekness and a single, stupid, well-placed rock. With the armies of the the Philistines and the Israelites at an impasse, a Philistine captain concocts a crazy scheme to flaunt Goliath's intimidating size and wage psychological warfare on the enemy. He ignores Goliath's objections (I'm the fifth-worst swordsman in my platoon . . . I do paperwork! I'm a very good administrator!) and has him repeat, day after day, a challenge to single combat, reasoning that no one would be nutty enough to take on such a mountain of a man. Gauld's stylistic toolkitclean lines, simple shapes, and crosshatching so thick it's nearly fabricmakes it all a pleasure to behold. He mines comedic gold from deadpan reaction shots so well timed you could set a watch by them and, weirder still, some tragic oomph for the lumbering sucker. After a few clever, heartbreaking scenes foreshadowing the inevitable showdown, you really start to pull for Goliath. Yet here comes some smartass kid with a slingshot to plunk him right between the eyes and cut his head off. What a jerk.(Reprinted with permission of Booklist, copyright 2012, American Library Association.)

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  • English

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