The Book of Five Rings

November 26, 2012
This graphic adaptation of Musashi’s 17th-centurytreatise on the martial arts makes careful, effective use of imagery to emphasize both the narrative and instructional aspects of the original text. Musashi’s work is divided into five books, which address each aspect of battle: “Earth,” “Fire,” “Water,” “Wind,” and “Emptiness.” That structure is retained here, with scripter Wilson and artist Kutsuwada finding terrific visual and dramatic hooks as background for Musashi’s alternately anecdotal and didactic text. Musashi takes a rational, pragmatic approach to his subject. In discussing his two-sword fighting style, he advocates practice, not mere reading. As a practical guide, the book has limited usefulness today, but Musashi’s lessons, in their focus on preparation and mindfulness, can easily be applied to most areas of life. The final chapter, “Emptiness,” is particularly intriguing, with its Zen-like call for awareness of what we do not know as a way to avoid detrimental confusion. Kutsuwada’s art is delicate and clean, balancing the physiological dynamics of swordplay with a clear-eyed appreciation of Musashi’s natural environment. An engaging, thoughtful update of what could be esoteric.

March 15, 1993
Here are two Japanese martial arts classics from the seventeenth century, of more than ordinary interest because of their distinguished translation and because of their identification with Zen. Musashi says things like "It is crucial to think of everything as an opportunity to kill," and there's no question his primer on training the would-be warrior's mind and body is, in that respect, as effective as ever. What might interest readers not inclined to bloodlust is Musashi's pared-down philosophy, as exemplified in his nine rules for learning any art. These include "Think of what is right and true," "Understand the harm and benefit in everything," "Become aware of what is not obvious," and the delightful "Do not do anything useless." Following Musashi's last meditation, "The Scroll of Emptiness" (about how, when one masters an art, one separates from it into a state of perfect, contented clarity), is Yagyu's short essay on the art of war. Yagyu, apparently quite a bloody warrior in his youth, in late life worked hard to link martial arts concepts to Zen, and his short essay has a distilled, aphoristic quality. Both writers are marvels of clarity and, oddly, peacefulness. ((Reviewed Mar. 15, 1993))(Reprinted with permission of Booklist, copyright 1993, American Library Association.)

March 1, 1993
Written by legendary Japanese swordsman Musashi, this 17th-century exposition of sword-fighting strategy and Zen philosophy has been embraced by many contemporary readers, especially business school students, as a manual on how to succeed in life. There are many English translations, but every one, including this one, suffers from inadequate cultural, literary, and philosophical commentary. Musashi's work should be studied, not simply read, and Cleary's translation lacks commentary; it also makes the prose seems flat and the philosophy simplistic. Yet what makes this new translation worthwhile is the second text, buried deep in the back like an appendix: Yagyu Munenori's The Book of Family Traditions on the Art of War . This text, also an exposition on sword fighting and Zen philosophy, is difficult to find in an English translation, and its availability is welcome. Recommended for academic libraries generally.-- Glenn Masuchika, Chaminade Univ. Lib., Honolulu

Copyright 1993 Library Journal, LLC Used with permission.