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Holler, Child

Stories

Audiobook
1 of 1 copy available
1 of 1 copy available
Longlisted for the National Book Award
Winner of the Reading the West Book Award in Fiction
Winner of the Writers' League of Texas Book Award in Fiction
An extraordinary short story collection about community, home, betrayal, and forgiveness—from a writer whose “spellbinding, buoyant”* storytelling will break your heart as it tends to the wounds.

*Texas Monthly

In Holler, Child’s eleven brilliant stories, LaToya Watkins presses at the bruises of guilt, love, and circumstance. Each story introduces us to a character irrevocably shaped by place and reaching toward something—hope, reconciliation, freedom. 
 
In “Cutting Horse,” the appearance of a horse in a man’s suburban backyard places a former horse breeder in trouble with the police. In “Holler, Child,” a mother is forced into an impossible position when her son gets in a kind of trouble she knows too well from the other side. And “Time After” shows us the unshakable bonds of family as a sister journeys to find her estranged brother—the one who saved her many times over.  
 
Throughout Holler, Child, we see love lost and gained, and grief turned to hope. This collection peers deeply into lives of women and men experiencing intimate and magnificent reckonings—exploring how race, power, and inequality map on the individual, and demonstrating the mythic proportions of everyday life.
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    • Publisher's Weekly

      Starred review from June 26, 2023
      Watkins (Perish) portrays West Texas characters faced with loss, disappointment, and betrayal in this stunning collection. In “The Mother,” a woman is hounded by journalists about her recently deceased adult son, Joshua, who claimed to be the Messiah. The unnamed narrator of the title story reckons with her past sexual trauma after her teenage son is accused of rape. In a gut-wrenching turn, Watkins illuminates the extent to which the narrator goes to protect her child even as doing so threatens to undo her. Many of the stories hinge on the revelation of a woman’s power, whether she’s a fierce mother or a taken-for-granted wife. For example, “Sweat” finds Lotrece caught in a lackluster marriage to Clayton, who cheats, smokes, overeats, and fails to follow through on household repairs. But Lotrece has the last laugh when she wakes Clayton in the middle of the night by pointing his own pistol at him. (“His fear in that moment gave her the first delight she’d felt in a long while,” Watkins writes). Adding to the fierce characterizations, Watkins beautifully conveys a sense of place (“Whole house ain’t no thicker—no stronger than a big old piece of plywood,” says the narrator of “The Mother”). These kinetic stories are no less powerful than Watkins’s marvelous debut novel. Agent: Samantha Shea, Georges Borchardt Agency.

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  • English

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